Tag Archives: Fave Reads

Review: South of the Border, West of the Sun

South of the Border, West of the Sun
South of the Border, West of the Sun

By Haruki Murakami
(Vintage, Paperback, 9780679767398, March 2000, 224pp.)

The Short of It:

Success and happiness don’t always go hand in hand.

The Rest of It:

Okay, guys. My love for Murakami is approaching full-on creep level. If I could shrink him down and put him in my pocket, I’d carry him around all day long. Weird, huh?

I saved this book for a long time because it was the last translated novel that I had not read but when my father passed away and I was unable to pull myself out of bed, I reached for it and Murakami’s writing did what I expected it to. It soothed, refreshed, made me ponder life in a big way, and all of a sudden all these feelings were rushing through me again.

This is probably one of my favorite novels, ever. It’s right up there with Kafka on the Shore and The Wind-Up Bird Chronicle. It’s a plain, simple story about a middle-aged man by the name of Hajime. He has a loving wife, and two beautiful daughters. He owns a couple of very successful Jazz clubs and enjoys the life he’s earned. But deep down, there’s something missing.

Not fully understanding this sense of longing, he’s reminded of a girl he knew in childhood by the name of Shimamoto. She was his everything but that was a long time ago. Is it possible that she even remembers him?

Memory plays a big role in this story and it’s beautifully handled. Murakami paints vivid, broad strokes when it comes to Shimamoto so it’s easy to see why Hajime is so taken with her. In childhood she’s this beautiful, delicate untouchable thing but when she walks into his club one rainy evening, Hajime begins to doubt his own existence and is no longer sure what happiness is.

This novel is full of romantic interludes but I hesitate to call it a romance because it’s much deeper than your typical romance novel. If you are familiar with Murakami’s writing at all, you know that his books can walk the surreal line. Some of his books are way out there, like Kafka and Wind-up but others are more subtle and this one is definitely one of the quiet ones but oh, how I loved it. That last page! That last line. Sigh.

If I want to try Murakami, which book should I read first?

Everyone always asks me which book to read first. It’s really hard to say. I read Kafka on the Shore first and it was like an acid trip. At page 50 I was about to give up on it and then something clicked. But that’s me. I like it when an author surprises me. But I think about 75% of you would run screaming from a room if you picked that one up first.

So then, to be on the safe side, I usually suggest After Dark, which dips into the surreal but not overly so but if you like excitement then that one might not work for you. Then, there are his short story collections. Some of you adore short stories and some of you don’t. But, I have to say that South of the Border, West of the Sun is the one I will recommend for first time readers from here on out. It’s beautifully written and well-balanced. Not too much of any one thing which makes it a good read for first-time readers of his work.

Just for Fun

Check out this cafe which became a hangout for Murakami fans. I’d like to live there.

Source: Borrowed
Disclosure: This post contains Indiebound affiliate links.

Review: Colorless Tsukuru Tazaki and His Years of Pilgrimage

Colorless Tsukuru and his Years of Pilgrimage

Colorless Tsukuru Tazaki and His Years of Pilgrimage
By Haruki Murakami
(Knopf, Hardcover, 9780385352109, August 2014, 400pp.)

The Short of It:

Loss, longing and the power of memory. This novel is like a drug. I was mesmerized while reading it.

The Rest of It:

This is classic Murakami…and not.

Every time I discuss this book with another fan, we end up agreeing that it’s a classic but at the same time I cannot help but peg it as ‘different’ in some way. Let me tell you about the story first. It’s about a guy name Tsukuru Tazaki. He had some good friends in high school, two boys and two girls. They completed one another and there was no hint at all, that their relationships would not last. But to Tazaki’s surprise, all four friends stop talking to him. Instead of investigating further, he decides that he is the one “without a color” as all of their names represent a color and his does not. In his mind, he is the outcast and seriously considers ending his life.

But as he goes through life simply existing, he meets two key individuals that force him to reconsider. One is a friend who has many similar likes, and yet he maintains an air of mystery that Tazaki cannot explain. The other, is a girlfriend who forces him to seek out his friends to put closure on the situation. She asks him to do this before they can take their relationship further, and in his eagerness to move into the next stage of their relationship, he decides to find them and hopefully find out why they abandoned him so many years ago.

As a long time fan, I find that this novel is a mix of old and new. It’s much more straight-forward in the telling. There are a couple of elements that could be fantastical in nature, but overall, the story is simply told. The themes that I’ve come to expect from Murakami are all here. His characters are always these lonely souls searching for something or someone, there is always the question of, is it real or is it a dream? As a reader, you can’t be sure. The story can be interpreted many different ways and that is what makes this such an exciting read.

Many of his books can be “out there” with the talking cats, the sexy ear lobes, the awkward sexual encounters and the like but even though that stuff can catch you off guard, they are SO Murakami to me, that I missed them in this novel. Missed them, but not enough for it to affect my enjoyment of the novel itself. It’s a different type of book for him and it has me wondering if he is evolving as a writer. I know writers do at some point, but this work is decidedly different in tone. I still loved it, but I always wonder if the writing has changed or the translation had something to do with it.

It’s getting harder to choose a fave these days. To date, I do believe that Kafka on the Shore is probably my favorite but it was also my first and probably the most wild of his books. However, Colorless is probably right up there but for different reasons. One of which, is that a very similar thing happened to me a few years ago. Friendships can be complex to figure out in general but when they go wrong, sometimes there is no rhyme or reason as to why and it’s baffling. I cannot to this day make sense of what happened to me and at this point in time, I don’t want to waste the energy trying to figure it out but it sure makes for some good reading when it’s happening to someone else!

If you want to give him a try, start with After Dark. It’s not too long but has a good mix of what I’ve come to recognize as his signature style.

Murakami recently announced a short novel to be released in the US this December. What? Yep! Another one! This one is called The Strange Library and let me tell you, it sounds like it’s back to surreal city. I. Cannot. Wait!

Special note from Ti:

When I was chosen to be a Fan Ambassador for Colorless, I was given a few copies of Norwegian Wood to giveaway. I will be posting that giveaway soon but wanted to give you all a heads-up since I gave one away recently via Facebook and some of you might have thought you missed it.

Source: Sent to me by the publisher.
Disclosure: This post contains Indiebound affiliate links.