Literary Fiction | Book Chatter

Hard-Boiled Wonderland and the End of the World
By Haruki Murakami
(Vintage, Paperback, 9780679743460, 1993, 416pp.)

The Short of It:

Mesmerizing and magical.

The Rest of It:

Talk about cutting it close! I had planned to finish my last book of the year a few days ago, but as usual, my vision of what I felt could be done, didn’t quite mesh with the reality laid out before me. Funny, because that’s sort of what this book is about. Reality versus what we think reality to be.

Those of you familiar with this blog know that I have a thing for Murakami’s writing. His writing is unlike anything I’ve ever read. Much of what he writes is surreal and strange but a lot of what he writes is just so normal. Normal in that he has a way of making simple things sound marvelous. The simple act of brewing coffee becomes something special in Murakami’s hands. I love that about his writing.

This novel is no exception and might be my favorite of his yet. A data processor finds himself in a strange situation. Hired by an eccentric professor who happens to be secreted away under the subway system in Japan, he realizes quickly that the job he’s been hired to do is anything but standard. The work that he’s been given is important enough for the government, known as The System, to become involved and although the professor’s intentions were good initially, his little experiment has gone very wrong.

In a parallel story, a man finds himself trapped behind a great wall surrounded by beasts which can only be unicorns. As he tries to make sense of this world and the importance of the unicorns themselves, he begins to question his existence and purpose.

Sounds bizarre, right?

As bizarre as these stories are, Murakami manages to pull both stories together, creating what I feel is his most profound work yet. As an end-of-the-year read, I don’t think I coud have picked a better book. Its largeness is felt on every page yet it’s totally readable and not hoity-toity in the way that books like this can sometimes be.

It’s fantasy and literary fiction all wrapped up together and I absolutely loved it. It left me with big thoughts and yet somehow, I feel rejuvenated too.

Even after all my gushing, if you’re still not sure about Murakami, this April I am hosting a read-along for The Wind-Up Bird Chronicle. I promise it will be fun and easy with very little to do but enjoy the book. After the New Year, I’ll post more about it so look for that post if you are interested. I’ve not read the book yet myself so we’ll be experiencing it together. For now, write down this hashtag #winditup2013!

Source: Purchased
Disclosure: This post contains Indiebound affiliate links.

The Lighthouse Road
By Peter Geye
(Unbridled Books, Hardcover, 9781609530846, October 2012, 293pp.)

The Short of It:

Geye has hit it out of the park again.

The Rest of It:

The story begins in the late 1890’s at a Minnesota logging camp. Thea Eide, an immigrant from Norway lands herself a position as a cook and after being raped by a visitor of the camp, finds herself pregnant with few prospects for raising the child. Hosea Grimm, who runs the apothecary and functions as the village doctor, gives her a place to stay and promises to help her with the child. Rebekah Grimm, also “saved” by Hosea some years before, becomes attached to Thea and later to her son, Odd Einar.

Twenty years later, Odd is a young craftsman making his living building fine fishing vessels. Having known Rebekah all of his life, the two share an unusual bond; one that takes a romantic turn which forces them to consider life outside of the village. What begins as an adventure, quickly settles into worry for Rebekah as she begins to doubt the decisions she’s made.

A couple of years ago I read Safe from the Sea and was amazed, overwhelmed and touched by its beauty. Geye’s sense of place was remarkable and the ease with which he told the story, stayed with me for a very long time.

In his new book, Geye’s sense of place is still present as he takes us back and forth through time, weaving in and out of the narrative as nimbly as if he’s been doing it all his life. These characters struggle with place in the form of setting but also within themselves. Rebekah’s previous life shapes who she is and although she left her previous life behind, not all was left behind.

Hosea Grimm’s goodness is marked by something a bit darker and he too is not all that he appears to be. These characters are flawed by previous experiences or lack thereof and it makes for wonderful reading. This is a quiet, reflective type of read but it has some surprises too. It’s the type of book that you settle in with after a long day at work. That’s how I enjoyed it anyway!

If you haven’t read any of his books, you really must. Simple stories, well told with beautiful writing. I’ve been a fan since Safe from the Sea and he did not disappoint with this one.

Source: Sent to me by the publisher via Net Galley.
Disclosure: This post contains Indiebound affiliate links.

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