Tag Archives: Historical Fiction

Review: Beatrice and Virgil

Beatrice and Virgil
Yann Martel
Random House
April 13, 2010
224pp

Here’s the blurb from the publisher:

Fate takes many forms. . . .

When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey—named Beatrice and Virgil—and the epic journey they undertake together.

With all the spirit and originality that made Life of Pi so beloved, this brilliant new novel takes the reader on a haunting odyssey. On the way Martel asks profound questions about life and art, truth and deception, responsibility and complicity.

The Short of It:

Innocent at first, Beatrice and Virgil leaves a dark smudge on a seemingly white page. It’s disturbing and odd and I have to say it…brilliant.

The Rest of It:

This book blew my mind.

Henry the writer, meets Henry the taxidermist but the taxidermist is also a writer and has written a play about a donkey named Beatrice. and a howler monkey named Virgil.  Beatrice and Virgil have long discussions about life, both the good and the bad but there’s a problem. The taxidermist needs the writer’s help in completing the play as the characters are not as fully fleshed out as they could be.

This passage appears on page 80 of the ARC that I have:

Henry: Off the top of my head, without any preparation or much thought, I’d say Virgil has the pleasing dimensions of a smaller dog, neither too bulky nor too slight. I’d say he has a handsome head, with a short snout, luminous reddish-brown eyes, small black ears, and a clear black face—actually, it’s not just black—a clear bluish-black face fringed with a full, elegant beard.

Taxidermist: Very good. Much better than what I have. Please continue.

The play continues to unfold in this manner. The taxidermist tosses out  a bit of info here and there and Henry the writer, takes it all in, provides help when he can and finds himself completely obsessed with the stuffed animals that this play centers around. Additionally, Henry the writer recently wrote a book of his own that bombed in a big way so helping in this manner is sort of like writing, but not.

I won’t say much more about the plot as you must experience it on your own, but it touches on the interaction between humans and animals, humans and other humans and the fact that evil comes in all forms. Once you figure out what is going on, and where the story is going, you continue to turn the pages with dread but somehow find yourself unable to stop. Martel dangles the carrot so to speak, and you can’t help but take a nibble.

I’d like to warn you that although this book is not overly graphic, it is disturbing and dark and will leave you feeling overwhelmed with emotion. After reading it, I immediately deemed it brilliant but then felt silly for saying so, as I’m not sure the author’s intent was to write something brilliant. I know that sounds odd because most writers probably strive to be brilliant, but it’s so subtle. Whether that was the intent or not, it WAS brilliant and odd and different from anything I’ve ever read. Beatrice and Virgil will be on my list of favorites for 2010.

Beatrice and Virgil officially comes out on April 13, 2010 but you can pre-order it now.

Source: This ARC was sent to me by Random House via Shelf Awareness.

Review: The Lost Summer of Louisa May Alcott

The Lost Summer of Louisa May Alcott
Kelly O’Connor McNees
Putnam
April 2010
336 pp

Here is the blurb from the publisher:

Deftly mixing fact and fiction, Kelly O’Connor McNees imagines a love affair that would threaten Louisa’s writing career-and inspire the story of Jo and Laurie in Little Women. Stuck in small-town New Hampshire in 1855, Louisa finds herself torn between a love that takes her by surprise and her dream of independence as a writer in Boston. The choice she must make comes with a steep price that she will pay for the rest of her life.

The Short of It:

The Lost Summer of Louisa May Alcott has all of the charm of Little Women. The strong family dynamic is present as well as the promise of true love. A well-told story that’s a pleasure to read.

The Rest of It:

In 1855, the Alcott family moved to Walpole, New Hampshire. Not much is known about the real-life Alcotts but McNees chooses this time period to tell the tale of young Louisa. Strong-willed and stubborn, she  has a strong sense of family and an even stronger sense of pride. Determined to be a serious writer, she has no time for romance but when she meets Joseph Singer, she can’t quite explain the feelings that she has for him. Is it possible for a woman to have a career and a relationship without losing her sense of self?

I feel that it’s important to note that I have not read Little Women in its entirety. I started it ages ago and loved every bit of it, but then got sidetracked and never picked it up again. If my memory serves me, I got through about half of it, but it was enough for me to fall in love with the characters. I felt the same way about The Lost Summer of Louisa May Alcott. Although parts of it do include a bit of historical fact, it is a fictional tale of the family that inspired Little Women and I feel that it had the same feel as the classic that we’ve all come to love.

I know there are some hardcore fans of Little Women who’ll dig deep to find fault with this book, but there’s really no need for it.  As I was reading, I could tell that McNees adores the classic as much as the next reader (if not more) and the care she takes to breathe life into Louisa is genuine and well thought out. I adored Louisa and all of her sisters and although her parents proved to be frustrating at times, especially her father, I could literally see them upon the page.

The other part that I enjoyed quite a bit were all the literary references. I could easily see Louisa sitting in her room, reading Dickens. This is the type of book that book lovers love. It reads well, it includes characters that we already love, and it makes the classic even more appealing.

I do not feel that you need to read Little Women prior to reading TLSOLMA, but after reading this book, I now feel that I must finish Little Women.

Source: Sent to me by the publisher via Trish over at Hey Lady! Whatcha Readin’? for her April discussion of the book.