Tag Archives: Haruki Murakami

Review: After the Quake

After the Quake

After the Quake  – Short Stories (single author)
By Haruki Murakami
(Vintage, Paperback, 9780375713279, May 2003, 160pp.)

The Short of It:

Simple prose yet so complex. The stories in this collection are thought-provoking and dreamy in a surreal, fantastical way.

The Rest of It:

This is a very brief collection of stories. Six stories, all set at the time of the 1995 Kobe earthquake. None of the stories are really about the earthquake. Instead, the earthquake itself serves as a reminder of how delicate life is, how fragile Japan is and how a tiny shift in thinking can affect our daily existence.

Murakami is a powerful writer. The novels I’ve read so far took me to a place I’ve never been before. A far, out-there place where cats can talk and pimps are named Colonel Sanders. But, this collection of stories is the total opposite of his novels.

There are a few fantastical elements contained within this collection, but they are the sort of nightmarish, creepy hallucinations anyone could experience while sleeping. This collection of stories feels more accessible to me, if that makes sense. I’m thinking that those who found Murakami’s work too extreme in the past, might enjoy these stories. Actually, I’m sure of it.

I read this collection in one sitting. I was mesmerized, charmed and in one case totally weirded out yet I could not put the book down once I started reading it. To me, Murakami is this awesome, Japanese Cowboy who rides into town and sweeps me off my feet with his lyrical prose and knack for dialogue.

I’m a bit smitten with his writing. Can you tell?

Source: Borrowed (but now I want to buy my own copy)

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Review: Dance, Dance, Dance

Dance, Dance, Dance

Dance, Dance, Dance
By Haruki  Murakami
(Vintage, Paperback, 9780679753797, 1995, 416pp.)

The Short of It:

Part mystery, part fantasy…Dance, Dance, Dance is a beautifully crafted, wicked-good example of a surreal story that works.

The Rest of It:

An unnamed protagonist is on a quest to find his missing girlfriend. Along the way, he plays chaperone to a wiser-than-her-years teenager, cavorts with call girls and reunites with a friend from high school who just happens to be a famous A-list celebrity.

Dance, Dance, Dance is actually the sequel to A Wild Sheep Chase. Although I’m sure it would have been better to read them in order, my enjoyment of the novel wasn’t affected in the least by not doing so. I was completely and utterly mesmerized the whole time through.

Murakami is a master of dialogue. When his characters speak, I listen. It might be the most mundane thing coming out of their mouths, but for some reason, I always find myself sitting on the edge of my seat when they speak.  I think it has to do with the complexity of his characters. They’re complex, so their dialogue doesn’t have to be.

The other thing that works for me, are the surreal story elements. Normally, I cannot stand surrealism in literature. It usually takes me out of the narrative, but Murakami uses it carefully to emphasize the harshness of reality. I find myself completely willing to drink the Kool-Aid, and that says a lot.

As much as I enjoy his writing, and his continual references to Western culture, I know that many may not care for his writing style.  This is the second novel I’ve read by him, and it too, contained quite a bit of sex and a bit of violence. Not enough to bother me though. The other thing that might bother a reader are the untidy, open-ended endings. Again, not a problem for me.

Is Murakami for you? The only way to tell is to actually read one of his books. He’s a rock-star to me but you already knew that…

Source: Borrowed

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