Tag Archives: Historical Fiction

Review: The Thousand Autumns of Jacob De Zoet

The Thousand Autumns of Jacob De Zoet

The Thousand Autumns of Jacob De Zoet
By David Mitchell
(Random House Trade Paperbacks, Paperback, 9780812976366, 512pp.)

The Short of It:

Elegantly written, but a bit too slow for me.

The Rest of It:

I’m at a loss for words and cannot describe this book properly so here is the blurb from the publisher:

The year is 1799, the place Dejima in Nagasaki Harbor, the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay. To this place of devious merchants, deceitful interpreters, and costly courtesans comes Jacob de Zoet, a devout young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland. But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken—the consequences of which will extend beyond Jacob’s worst imaginings.

This novel and I did not get along. There were sections that were beautifully written, but in between those were long spans of overly descriptive text that I really did not have the energy to appreciate. As interesting as pieces of this novel were, it’s really the most frustrating love story ever. Jacob is totally infatuated with Orito and as decades pass, they cross paths maybe four times (I lost count)? This would be great if Orito felt the same way about him, but she doesn’t, so the periods in between their meetings are long, painful stretches where Jacob continues to imagine how it could be between the two of them.

My book club discussed it last week and although most of us agreed that the writing is beautiful, many agreed that the pace was questionable. It’s one of those books where nothing happens. Some could argue that lots happened, but really… I would have to disagree with that.  One member pointed out that long periods of isolation would drag out like that. I thought that was an interesting comment and then started to think that the structure of the novel was intentionally laid out that way…but then I thought the opposite. Not sure why.

This is not a book to skim. You have to take your time with it and perhaps I just didn’t have enough time to devote to it, because it’s well-received by many. For now, I will part ways with David Mitchell but in a year or two, I wouldn’t be surprised if I picked up one of his other books (Cloud Atlas, Black Swan Green) because the writing was beautiful and some of the characters were quite vividly drawn.

Source: Purchased for my Kindle.

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Review: Beatrice and Virgil

Beatrice and Virgil
Yann Martel
Random House
April 13, 2010
224pp

Here’s the blurb from the publisher:

Fate takes many forms. . . .

When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey—named Beatrice and Virgil—and the epic journey they undertake together.

With all the spirit and originality that made Life of Pi so beloved, this brilliant new novel takes the reader on a haunting odyssey. On the way Martel asks profound questions about life and art, truth and deception, responsibility and complicity.

The Short of It:

Innocent at first, Beatrice and Virgil leaves a dark smudge on a seemingly white page. It’s disturbing and odd and I have to say it…brilliant.

The Rest of It:

This book blew my mind.

Henry the writer, meets Henry the taxidermist but the taxidermist is also a writer and has written a play about a donkey named Beatrice. and a howler monkey named Virgil.  Beatrice and Virgil have long discussions about life, both the good and the bad but there’s a problem. The taxidermist needs the writer’s help in completing the play as the characters are not as fully fleshed out as they could be.

This passage appears on page 80 of the ARC that I have:

Henry: Off the top of my head, without any preparation or much thought, I’d say Virgil has the pleasing dimensions of a smaller dog, neither too bulky nor too slight. I’d say he has a handsome head, with a short snout, luminous reddish-brown eyes, small black ears, and a clear black face—actually, it’s not just black—a clear bluish-black face fringed with a full, elegant beard.

Taxidermist: Very good. Much better than what I have. Please continue.

The play continues to unfold in this manner. The taxidermist tosses out  a bit of info here and there and Henry the writer, takes it all in, provides help when he can and finds himself completely obsessed with the stuffed animals that this play centers around. Additionally, Henry the writer recently wrote a book of his own that bombed in a big way so helping in this manner is sort of like writing, but not.

I won’t say much more about the plot as you must experience it on your own, but it touches on the interaction between humans and animals, humans and other humans and the fact that evil comes in all forms. Once you figure out what is going on, and where the story is going, you continue to turn the pages with dread but somehow find yourself unable to stop. Martel dangles the carrot so to speak, and you can’t help but take a nibble.

I’d like to warn you that although this book is not overly graphic, it is disturbing and dark and will leave you feeling overwhelmed with emotion. After reading it, I immediately deemed it brilliant but then felt silly for saying so, as I’m not sure the author’s intent was to write something brilliant. I know that sounds odd because most writers probably strive to be brilliant, but it’s so subtle. Whether that was the intent or not, it WAS brilliant and odd and different from anything I’ve ever read. Beatrice and Virgil will be on my list of favorites for 2010.

Beatrice and Virgil officially comes out on April 13, 2010 but you can pre-order it now.

Source: This ARC was sent to me by Random House via Shelf Awareness.