Review: Secrets of a Christmas Box

Secrets of a Christmas Box
Written by Steven Hornby
Color Illustration by Justin Gerard
Chapter Illustrations by Gabriel Hordos
Publisher: Ecky Thump Books, Incorporated
Pub. Date: September 2009
ISBN-13: 9780981588308
248pp

The Short of It:

Although the point of the book was to capture the magic of Christmas, I do not feel that this was achieved. In my opinion, the story was a bit on the dark side which surprised me a bit.

The Rest of It:

As I was reading the book, the first thing that I noticed was that the dialogue seemed a bit forced. The first couple of chapters were ‘He said / She said’ type conversations and although the words spoken seemed natural enough, the phrasing seemed almost script-like to me. However, by the fourth chapter this seemed to improve quite a bit so it was not an issue for me throughout the story.

Basically, the story is about a box of Christmas ornaments that come to life. My kids love to decorate the tree and as they take out each ornament, they always ask me where it came from, when we got it, etc. We’ve had these conversations year after year, they KNOW where they came from but it’s part of the fun. So when I read the premise of this book, I was really looking forward to it.

As each character was introduced, I did feel that there was some Christmas-y magic there. As the story progressed though, it sort of played out like a movie. Something happens, they respond, a discovery is made, etc. However, I didn’t expect it to take the turn that it did and it sort of threw me off. I wanted to be enchanted by the wonder of Christmas. Instead, I was thinking, this should be a Pixar movie.

Now in Hornby’s defense, after reading the book I do see that he has spent many years working in visual effects and animated movies. The book cover also states that he originally planned for Secrets of a Christmas Box to be a screenplay. So…since this is a debut novel, it’s not surprising that his previous experience came into play here. I was also a film major at one point so to me, it read like a screenplay as opposed to a novel. Not necessarily a bad thing, but not what I expected.

Additionally, I’m not sure of the demographic he is trying to hit. There are young children at the beginning of the novel, but from the dialogue it’s hard to tell how old they are. I would say this would be a good book for the 7-9 year-old set that still believes in Santa ( I know, silly me, everyone knows he’s real).

One other item to mention is that there are several pencil sketches throughout the novel that I found to be quite charming. Overall? I feel that it missed its mark. If anyone else has reviewed this book and would like me to include a link to your review, please let me know and I will add it to this post.

This signed review copy was sent to me by Steven Hornby and Ecky Thump Books.

Friday Finds: Once on a Moonless Night

Friday Finds is hosted by Should Be Reading.

Here’s the blurb from the publisher:

From the author of the beloved best seller Balzac and the Little Chinese Seamstress, a haunting tale of love and of the beguiling power of a lost language.

When Puyi, the last emperor, was exiled to Manchuria in the early 1930s, it is said that he carried an eight-hundred-year-old silk scroll inscribed with a lost sutra composed by the Buddha. Eventually the scroll would be sold illicitly to an eccentric French linguist named Paul d’Ampere, in a transaction that would land him in prison, where he would devote his life to studying the ineffably beautiful ancient language of the forgotten text.

Our unnamed narrator, a Western student in China in the 1970s, hears this story from the greengrocer Tumchooq—his name the same as that of the language in which the scroll is written—who has recently returned from three years of reeducation. She will come again and again to Tumchooq’s shop near the gates of the Forbidden City, drawn by the young man and his stories of an estranged father. But when d’Ampere is killed in prison, Tumchooq disappears, abandoning the narrator, now pregnant with his child. And it is she, going in search of her lost love, who will at last find the missing scroll and discover the truth of the Buddha’s lesson that begins “Once on a moonless night . . .” in this story that carries us across the breadth of China’s past, the myth and the reality.

What did you find this week?