Tag Archives: Haruki Murakami

Review: Wind / Pinball

Wind / Pinball

Wind / Pinball
By Haruki Murakami, Translated by Ted Goossen
(Knopf Publishing Group, Hardcover, 9780385352123, August 4, 2015, 256pp.)

The Short of It:


The Rest of It:

You all know how I love Murakami, right? Well, when I got a review copy of Wind / Pinball, I nearly fainted. Why? Because Hear the Wind Sing was Murakami’s very first novel and Pinball, 1973 was his second. Along with A Wild Sheep Chase, they form what is known as The Trilogy of The Rat.

Wind / Pinball was not available in English here in the US so all this time I’ve wondered about The Rat and his origins, as did fans everywhere. I’m happy to say that readers will get to spend much more time with The Rat in this volume of two books. Two books in one! I die!

In Wind, we meet our unnamed narrator. He’s an unassuming guy (a Murakami trademark). He hangs out at J’s Bar, has an on again, off again romance with a nine-fingered woman and when he is not fantasizing about her, he’s hanging out with The Rat. You could call this novel “uneventful” but it’s classic Murakami. Lots of deep thinking. Not a lot of action.

In Pinball, things pick up a bit. It’s the same unnamed narrator but set during his days as a student. This novel is more surreal in feel. He comes home to find a set of twins in his bed. He calls them 208 and 209. As you may or may not know, sex is almost a given in a Murakami novel and if there are ears involved in any way, then you get to take a drink (kidding, sort of). To make this novel even more interesting, our unnamed narrator and The Rat find themselves obsessed with a particular pinball machine which sends them on a search to find it.

The beauty of a Murakami novel is often how simple the story is. It’s usually this tiny thing that’s surrounded by strange and unusual people and sometimes weird, fantastical happenings. I love his writing.

That being said, there is a slightly different tone to Wind. I could tell that he was still figuring out what type of writer he wanted to be. After all, if you read the newly added introduction, you learn that he decided to be a writer while attending a baseball game. Just like that. He wanted to write and did. If you read nothing else, read the introduction.

This first novel made me feel as if I was reading something in secret. I sometimes think that Murakami injects pieces of himself into his books but in Wind, it felt as if HE was a character in the book. I kind of loved it for that reason.

It comes out today so run out and get a copy if you can.

I’ve read all of his novels now. What am I going to do? I was thinking about reading Kafka on the Shore again. Why? Because that is what you do when it takes years for a new book to come out.

There’s always this:

Kafka on the Shore, The Show

Source: Sent to me by the publisher.

Disclosure: This post contains Indiebound affiliate links.

Cannot Wait for Wind / Pinball!

Wind / Pinball

I am so excited! These two novels (Hear the Wind Sing & Pinball, 1973) have finally been translated in English and will be coming out on August 4th in one volume. As part of the Trilogy of the Rat which includes A Wild Sheep Chase & unofficially Dance, Dance, Dance (both I’ve already read), this volume will complete the collection. Look at that cover!

Why is it a trilogy when there are actually four novels? Dance, Dance, Dance was written as a sequel, but it’s actually not a part of the trilogy.

Blurb courtesy of the Book Depository:

The debut short novels–nearly thirty years out of print– by the internationally acclaimed writer, newly retranslated and in one English-language volume for the first time, with a new introduction by the author. These first major works of fiction by Haruki Murakami center on two young men–an unnamed narrator and his friend and former roommate, the Rat. Powerful, at times surreal, stories of loneliness, obsession, and eroticism, these novellas bear all the hallmarks of Murakami’s later books, giving us a fascinating insight into a great writer’s beginnings, and are remarkable works of fiction in their own right. Here too is an exclusive essay by Murakami in which he explores and explains his decision to become a writer. Prequels to the much-beloved classics “A Wild Sheep Chase “and “Dance Dance Dance, ” these early works are essential reading for Murakami completists and contemporary fiction lovers alike.

He’s so famous now, that they don’t even need to include the full title on the cover! I am so freakin’ excited! Is it August yet?