By Donna Tartt
(Little, Brown and Company, Hardcover, 9780316055437, October 2013, 784pp.)
The Short of It:
Memory, in and of itself, has the ability to restore and destroy.
The Rest of It:
While visiting a New York art museum, Theodore Decker, thirteen, is separated from his mother in an explosion that leaves him dazed and confused. In the immediate moments after the blast, Theo sees, and takes, a valuable painting for safekeeping. Not fully understanding what has happened or why, he stumbles out of the rubble but his life is forever frozen in time. When he realizes he has lost his dear mother, he finds himself floating through life, encountering many obstacles along the way and revisiting those final moments in the museum over and over again.
This is one hell of a book.
It’s long and I know some readers who won’t even touch it because of its length but they are really doing themselves a disservice because it is really a fine piece of work. I had planned to read it “someday” but when it was chosen for book club, I was
pushed encouraged to read it a little bit sooner than I had planned and then it was awarded the Pulitzer which piqued my interest even more.
The Goldfinch is an adventure. It meanders, there is action but not that much of it and it’s repetitive when it comes to behaviors like the excessive drinking and drug use that riddle its pages. But even with all of this going on, it’s incredibly heartbreaking and yes, beautiful. At first glance, Theo seems to be handling his loss quite well, but with each page, his pain and devastation become more real, more tangible and he becomes more reliant on the actions of others to save him. Not to mention the painting and the significance behind him taking it in the first place. Its purpose, so it seems, is to remind him of that fateful day but as it certainly does just that, it’s also a constant reminder of what he needs to do to keep it safe.
This is a book with some memorable characters too. Boris, the Ukrainian kid Theo hooks up with, is part hoodlum, part philosopher but more than anything, Theo’s best friend. Think “The Artful Dodger”. Popper, a mutt that Theo takes pity on, ends up being a loyal companion to Theo and one cannot forget Hobie, the lovable furniture maker who takes Theo in when he has nowhere else to go. These unlikely characters come together to essentially save Theo from himself, but it’s not always evident that that is what is happening. There are lots of pitfalls along the way and the journey can be tedious, but in the end, I found myself loving the story, wishing I had taken more time with the last few pages. It’s about love and trust and redemption and what’s not to like with its art world setting?
Talking about it here, I realize just how much I miss the characters. So, even though it’s long and intimidating to some, I urge you to pick it up because it’s really a book to experience first-hand.
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